{"id":43475,"date":"2026-07-07T19:30:57","date_gmt":"2026-07-07T17:30:57","guid":{"rendered":"https:\/\/www.arteaporte.com\/?post_type=product&p=43475"},"modified":"2026-07-07T19:40:27","modified_gmt":"2026-07-07T17:40:27","slug":"blind-exposures-iii","status":"publish","type":"product","link":"https:\/\/www.arteaporte.com\/en\/prodotto\/blind-exposures-iii\/","title":{"rendered":"Blind Exposures III"},"content":{"rendered":"

Una volta effettuato l\u2019acquisto, sarai messo in contatto con il nostro staff per definire la modalit\u00e0 di consegna.
\nSe hai necessit\u00e0 specifiche, puoi contattare il team di Art\u00e0porter: info@artaporter.it<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Roee Morag<\/a><\/p>\n

 <\/p>\n

Tecnica: Chromogenic print mounted on Alu-Dibond, 1\/1 unique piece.<\/p>\n

Anno: 2025<\/p>\n

Dimensione: 70cm x 100cm<\/p>\n

Descrizione: Blind Exposures
\nWhat does it mean to capture a photograph without a camera? This series subverts the digital flatbed scanner, turning a standard office tool into an alternative photographic engine capable of generating raw, purely abstract images.
\nDuring the duration of the scan, colored papers and heavily textured materials are shifted by hand directly across the glass. The resulting blurs, physical drags, and density shifts occur entirely in real time, intersecting human gesture with mechanical motion. The final pieces remain completely untouched by later digital manipulation, operating as intense studies of abstract form, rhythm, and pure materiality.
\nThis process mirrors what theorist Diarmuid Costello calls “constructed abstraction.” Rather than documenting a prior reality, these spaces are built from the ground up through mechanical friction. The scanner functions as a drawing tool, light becomes paint, and time serves as the canvas. In a visual landscape saturated with over-polished, artificial images, Blind Exposures claims an independent space between photography, painting, and machine vision, proving that a digital image can still be a deeply physical, tactile, and urgent event.<\/p>","protected":false},"featured_media":43470,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"product_brand":[],"product_cat":[450,199,2789],"product_tag":[],"class_list":["post-43475","product","type-product","status-publish","has-post-thumbnail","product_cat-concettuale","product_cat-grande","product_cat-roee-morag","first","instock","downloadable","virtual","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nBlind Exposures III | Arteaporte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arteaporte.com\/en\/product\/blind-exposures-iii\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blind Exposures III | Arteaporte\" \/>\n<meta property=\"og:description\" content=\"Roee Morag   Tecnica: Chromogenic print mounted on Alu-Dibond, 1\/1 unique piece. Anno: 2025 Dimensione: 70cm x 100cm Descrizione: Blind Exposures What does it mean to capture a photograph without a camera? This series subverts the digital flatbed scanner, turning a standard office tool into an alternative photographic engine capable of generating raw, purely abstract images. During the duration of the scan, colored papers and heavily textured materials are shifted by hand directly across the glass. The resulting blurs, physical drags, and density shifts occur entirely in real time, intersecting human gesture with mechanical motion. The final pieces remain completely untouched by later digital manipulation, operating as intense studies of abstract form, rhythm, and pure materiality. This process mirrors what theorist Diarmuid Costello calls "constructed abstraction." Rather than documenting a prior reality, these spaces are built from the ground up through mechanical friction. The scanner functions as a drawing tool, light becomes paint, and time serves as the canvas. 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