{"id":53204,"date":"2026-10-14T10:18:33","date_gmt":"2026-10-14T08:18:33","guid":{"rendered":"https:\/\/www.arteaporte.com\/?post_type=product&p=53204"},"modified":"2026-10-14T10:27:03","modified_gmt":"2026-10-14T08:27:03","slug":"going-atomic","status":"publish","type":"product","link":"https:\/\/www.arteaporte.com\/en\/prodotto\/going-atomic\/","title":{"rendered":"Going Atomic"},"content":{"rendered":"

Una volta effettuato l\u2019acquisto, sarai messo in contatto con il nostro staff per definire la modalit\u00e0 di consegna.
\nSe hai necessit\u00e0 specifiche, puoi contattare il team di Art\u00e0porter: info@artaporter.it<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Roee Morag<\/a><\/p>\n

 <\/p>\n

Tecnica: Photography, (long exposure photograph), archival pigment print on high gloss archival paper. Zero digital manipulation.<\/p>\n

Anno: 2025<\/p>\n

Dimensione: 118.9 x 84.1 cm<\/p>\n

Descrizione: Going Atomic sits at the collision of painting and photography, a space where the two mediums stop working separately. Both are pressed to answer the same question.
\nWhat forms an image, and how far can a photograph be pushed before it starts behaving like a painting?
\nThe image was built entirely in camera, through duration, not a single click, with nothing added or changed after the shutter closed. Exposure and time are material here, the way pigment and gesture are material to a painter. Paint stood in front of the lens while the exposure ran, and for those seconds the camera worked more like a brush, pulling gesture directly into the image as it happened. What results is a field of color and motion, without a single fixed subject to settle on.<\/p>","protected":false},"featured_media":53206,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"product_brand":[],"product_cat":[443,201,2789],"product_tag":[],"class_list":["post-53204","product","type-product","status-publish","has-post-thumbnail","product_cat-astratto","product_cat-extralarge","product_cat-roee-morag","first","instock","downloadable","virtual","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nGoing Atomic | Arteaporte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arteaporte.com\/en\/product\/going-atomic\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Going Atomic | Arteaporte\" \/>\n<meta property=\"og:description\" content=\"Roee Morag   Tecnica: Photography, (long exposure photograph), archival pigment print on high gloss archival paper. Zero digital manipulation. Anno: 2025 Dimensione: 118.9 x 84.1 cm Descrizione: Going Atomic sits at the collision of painting and photography, a space where the two mediums stop working separately. Both are pressed to answer the same question. What forms an image, and how far can a photograph be pushed before it starts behaving like a painting? The image was built entirely in camera, through duration, not a single click, with nothing added or changed after the shutter closed. Exposure and time are material here, the way pigment and gesture are material to a painter. Paint stood in front of the lens while the exposure ran, and for those seconds the camera worked more like a brush, pulling gesture directly into the image as it happened. 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