Descrizione : “Les Incompris” è una citazione diretta a Guernica, da cui riprendo una delle sue celebri facce, ma qui trasmutata, deformata, sfigurata non dalla guerra, bensì dall’inferno silenzioso dell’emarginazione sociale. L’opera esplora il dolore di chi non viene compreso, di chi vive ai margini, schiacciato da un mondo che non ascolta. L’incomprensione diventa l’arma più tagliente, invisibile ma letale. Il verde dominante non è speranza: è disgusto. Disgusto per una società cinica che ignora chi non riesce ad adattarsi ai suoi schemi
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Marco Rondena Tecnica : Tecniche miste Dimensione: 30×40 cm Anno: 2025Descrizione : “Espoir” nasce dal desiderio di raccontare l’apertura alla vita, anche nella sua imperfezione. Su uno sfondo rosso vivo, pieno di tensione e presenza, si stagliano quadrati bianchi sporchi: non forme statiche, ma porte, possibilità. Ognuno di questi varchi rappresenta un momento di scelta, di cambiamento, di passaggio. Attraverso la mia tecnica della sinestesia emozionale, traduco in materia e colore quel senso di speranza che resiste, che filtra anche attraverso le crepe. “Espoir” è l’atto del credere ancora, del vedere spiragli dove prima c’erano muri. -
Marco Rondena Tecnica : Tecniche miste Dimensione: 30×40 cm Anno: 2025Descrizione : “Agony’s Letterbox” è un’opera materica che racconta, attraverso la sinestesia emozionale, il dolore della depressione. Il quadrato rosso centrale diventa simbolo di ribellione, autolesionismo e urgenza espressiva contro il peso della sofferenza mentale. -
Technique: Mixed Media, Paint Charcoal and Acrylic Year: 2025 Size unframed: 30×40 cm Description: With “Calvary” I wanted to represent the moment when human pain reaches its most extreme point: not only physical suffering, but the absolute despair of feeling abandoned even by God. The face of Christ, at the centre of the work, is disfigured, weeping, writhing in an anguish that does not only belong to the sacred past, but speaks of the present, of our fears, our loneliness. Around him I painted three halos, each with a precise colour and meaning. Red is suffering, that which runs through bodies and consciences, that of wars, injustice, broken existences. Yellow represents the spirit, the collective conscience that should enlighten us, but which often remains mute and distant. Blue is death, but not only physical death: it is the death of values, of compassion, of responsibility. "Calvary' is a mute cry, an image of denunciation. It is my response to the world that is silent before the pain of the last. An invitation to look suffering in the face, without turning away. -
Technique: Mixed Media, Paint Charcoal and Acrylic Year: 2025 Size unframed: 30×40 cm Description: With “Nobody”, I wanted to investigate the surface of the human skin as a metaphor for our identity: rippled, imperfect, crossed by tensions. Against this material background, two dirty, rough holes open up, reminiscent of two moons. They are gashes in appearance, wounds that reveal something deeper: two inner views of human nature, intimate and disturbing, that force us to confront what we normally avoid seeing. Those moon-eyes do not observe the outside world, but invite us to look inside: there where fear, a sense of exclusion, fragility dwell. 'Nobody' is a work about the loss of recognition, about what it means today to be invisible in a society that only values image, success, noise. It is a silent but radical denunciation against the flattening of identity and indifference towards those who remain on the margins. -
Technique: Mixed Media Year: 2025 Size unframed: 24x30 cm Description: With ‘Phantom’ I wanted to explore the darkness of the soul, that inner zone where fears, invisible wounds, thoughts that find no voice are deposited. In the centre of the work, a silver cross stands out against a black, rippled, imperfect background - like the very surface of the unconscious. It is not a material cross, but a visual, symbolic, almost ethereal presence. Its cold glow contrasts with the living, tormented matter that surrounds it. The blackness of the background is not empty: it is tension, it is bodily memory, it is skin of the soul traversed by silences and disturbances. The cross appears as an unstable apparition, a form that emerges from the darkness without ever imposing itself, as fragile as a thought that cannot be held back. Phantom speaks of introspection and inner pain. It is a Gothic image, in the emotional and spiritual sense of the term: an evocation of the weight of the invisible, of silent suffering, of the search for meaning in one's own shadow. It does not give comfort, but invites us to listen to what troubles us.