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CRKD SΛNCTΘ Tecnica: Mix media on canva Anno: 2026 Dimensione: 50 x 80 cm Descrizione: Una figura primitiva emerge su uno sfondo chiaro e frammentato. I tratti sono deformati, la bocca aperta, il segno si accumula e si rompe. La presenza sembra sul punto di cedere. A more primal presence coming through. The form feels unstable, shifting, on edge. It carries a sense of pressure, like it could give way at any moment. -
CRKD SΛNCTΘ Tecnica: Mix media on canva Anno: 2026 Dimensione: 50 x 80 cm Descrizione: Una figura umana convive con una presenza animale scura e compatta. Il corpo è deformato, la bocca aperta, il segno è diretto e sporco. Le due presenze restano vicine, senza separarsi. A human presence merging with its own animal side. Not two figures, but one split across instinct and control. It holds that tension without resolving it. -
CRKD SΛNCTΘ Tecnica: Mix media on canva Anno: 2026 Dimensione: 50 x 70 cm Descrizione: Una figura umana in primo piano è attraversata da un segno nervoso e instabile. Gli occhi sono fuori asse, la bocca satura di rosso cola verso il basso. I contorni si sovrappongono senza fissarsi. La figura resta in bilico, non definita. A presence that won’t fully come together. The face shifts, the gaze slips, nothing really holds. It stays open, unstable, never quite defined. -
CRKD SΛNCTΘ Tecnica: Mix media on canva Anno: 2026 Dimensione: 50 x 60 cm Descrizione: Una figura umana in primo piano emerge dal fondo scuro, svuotata e instabile. Il volto è spezzato, gli occhi irregolari, la bocca serrata. Colature attraversano la superficie senza risolverla. La presenza resta immobile, trattenuta. A figure held in place, almost suspended. The face feels split, the eyes don’t quite meet, the mouth stays closed. Nothing settles. It remains still, contained. -
CRKD SΛNCTΘ Tecnica: Acrilic, Oil, Spray Paint, Pencil, Charcoal Anno: 2026 Dimensione: 51 x 76 cm Descrizione: A face suspended in a toxic stillness. The figure confronts the viewer with hollow, circular eyes – voids rather than organs – dripping with a dense, black residue that reads as both decay and suppressed emotion. The mouth is violently sealed by a dark horizontal stroke, a gesture that feels imposed rather than chosen, while red paint bleeds downward like an internal rupture made visible. Acid greens and corroded yellows dominate the surface, evoking industrial erosion and psychological contamination. The background does not offer space or relief; it presses forward, enclosing the head in a suffocating atmosphere. Neon-like outlines flicker around the skull, suggesting instability, as if the identity of the subject were vibrating or disintegrating at the edges. “Sick” is not only a condition of the body but of perception. The work inhabits a threshold between physical illness and existential fracture – where silence, repression, and exposure collapse into one distorted presence. -
Santino Aresco Tecnica: Acrylic, oil pastel and spray paint on wooden board Anno: 2026 Dimensione: 126 x 92 cm Descrizione: A figure is bound to iron bars, its body straining as if pushed to the edge of fracture. Opposite, another sits motionless, watching. The distorted smile does not console, it records, judges, perhaps even believes itself justified. The violent orange background burns like a perpetual alarm, while drips cut through the bodies like scars that refuse to close. The painting stages a confrontation: aggressor and assaulted, executioner and victim. Yet the roles feel unstable. The distance between them is charged, uncertain – as if cruelty were not only enacted, but inherited. -
CRKD SΛNCTΘ Tecnica: Acrilic, Oil, Spray Paint, Pencil, Marker, Charcoal Anno: 2026 Dimensione: 50 x 70 cm Descrizione: Residual Gaze presents a fractured, mask-like face suspended in a field of visceral reds and bruised purples. One eye glows in opaque yellow while the other collapses into a dense, black void, creating a destabilizing asymmetry that suggests perception split between awareness and erasure. The surface is heavily worked – cracked, layered, and scarred – so the skin reads less as flesh and more as a weathered wall bearing traces of impact. Blue pigment bleeds from the mouth in downward drips, evoking silenced speech or emotional overflow. The red halo surrounding the head intensifies the psychological charge, as if the figure is trapped inside a residual afterimage – an imprint left behind by trauma, memory, or witness. The gaze does not confront; it lingers. It feels less like looking and more like being looked at after something has already happened.