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Sarah Storey Tecnica: Pittura ad olio Anno: 2025 Dimensione: 100cmx80cm Descrizione: An oil painting shows a cow’s udder attached to an industrial milking machine, focusing on the act of extraction as a controlled, mechanical process. The work frames a philosophical tension between animal as living subject and animal as functional tool, questioning where care ends and exploitation begins. The merging of flesh and machine suggests a system where life is measured only through productivity. -
Sarah Storey Tecnica: Pittura ad olio Anno: 2024 Dimensione: 100cmx80cm Descrizione: An oil painting shows a skeletal nude body emerging from deep darkness, reduced almost to its bare structure. The figure is thin and fragile, with bones subtly visible beneath the skin, illuminated by a faint, uncertain light that only briefly defines its form. The surrounding space is an absolute void, absorbing all context and depth. Light grazes the ribcage, shoulders, and skull, emphasizing vulnerability and absence rather than detail. The brushwork shifts between density and dissolution, making the body seem as if it is fading in and out of existence. The work conveys a quiet intensity, focusing on mortality, fragility, and the tension between presence and disappearance. -
Sarah Storey Tecnica: Pittura ad olio Anno: 2024 Dimensione: 100cmx80cm Descrizione: An oil painting shows a skeletal nude body emerging from deep darkness, reduced almost to its bare structure. The figure is thin and fragile, with bones subtly visible beneath the skin, illuminated by a faint, uncertain light that only briefly defines its form. The surrounding space is an absolute void, absorbing all context and depth. Light grazes the ribcage, shoulders, and skull, emphasizing vulnerability and absence rather than detail. The brushwork shifts between density and dissolution, making the body seem as if it is fading in and out of existence. The work conveys a quiet intensity, focusing on mortality, fragility, and the tension between presence and disappearance.