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Paolo Di Diego Tecnica: Acrilico Anno: 2023 Dimensione: 40x30 cm Descrizione: L'opera nasce da una riflessione critica sulla scellerata pratica della vendita delle indulgenze perpetrata dalla Chiesa cinque secoli fa. La spiritualità è corrotta da pratiche venali che hanno minato le fondamenta del cristianesimo fino ai giorni nostri. La beatitudine purtroppo non è per tutti -
Paolo Di Diego Tecnica: Acrilico Anno: 2023 Dimensione: 30x40 cm Descrizione: La scienza e la tecnologia cercano di spiegare tutto ma, nelle profondità della nostra mente, c’è un spazio, uno spazio per sognare, evadere. E l’antico anelito di conoscere il propio futuro. Il clown rappresenta il retaggio di una tradizione emarginata, dimenticata, un fortune teller che attraverso la numerologia avvolge la realtà con una nuvola magica. -
Paolo Di Diego Tecnica: Acrilico Anno: 2022 Dimensione: 50x70 Descrizione: Il padre come un’icona. Una figura ammantata di sacralità ma soffocata in un rapporto simbiotico con il figlio, schiacciato dalla sua presenza asfissiante, imprigionata in una struttura materica, la tela, da cui vorrebbe evadere per riconquistare le libertà perdute. -
technique: Tecnica mista (plastica, vernice, resina)year: 2025dimensions: 50 x 50description: Dal greco Hyalos =trasparente. E' da qui che deriva acido ialuronico, l 'elisir di giovinezza forse più utilizzato di questi tempi. Nella società moderna, la corsa contro il tempo , il tripudio degli integratori alimentari, degli anti Age, delle compresse di ogni tipo per prevenire ogni danno e ogni decadenza, l accanimento della cura del "tutto" vince su ogni altra battaglia. La guerra contro i radicali liberi e' ormai sfrontata e potente. Questa donna simbolizza la dea della giovinezza eterna (giusta o sbagliata?), rimpolpata da pillole di ogni tipo e colore.. -
Patrícia Čmiková technique: pen-drawing on aquarel paperyear: 2025dimensions: A5 / without frame/ A4 with framedescription:Man interferes with nature in an immeasurable way. Many animal species are therefore on the verge of extinction. It is necessary to protect animals and regulate human activities that cause their extinction. -
Patrícia Čmiková technique: pen-drawing on aquarel paperyear: 2025dimensions: A4 format / without frame/ with frame A3description:Man interferes with nature in an immeasurable way. Many animal species are therefore on the verge of extinction. It is necessary to protect animals and regulate human activities that cause their extinction. -
Patrícia Čmiková technique: pen-drawing on aquarel paperyear: 2025dimensions: A3 format / without and with framedescription: Mass meat production causes great suffering to animals/innocent creatures. Man, as an "intelligent" creature, should reflect on himself and change his actions. The problem is not the consumption of meat itself, but the inhumane way we treat animals. Animals are sensitive living beings who have emotions just like humans. Man has become too comfortable. It is necessary to change this treatment of animals and everyone must start actively from themselves. This will bring benefits and a better quality of life not only to innocent beings, but also to themselves. -
Lele Picà Tecnique: Mixed media on canvas Anno: 2025 Dimensions: 40 x 30 cm Description: In this work, Lele Picà's little man becomes the silent observer of the Sagrada Famiglia, a symbol of wonder and contemplation. The balloon he holds in his hands represents the dream, light and colorful, that lifts him to the infinity of imagination." -
Sun Changhao Tecnique: Mixed Media Anno: 2025 Dimensions: 45 x 50 cm Descrizione: This work adopts a unique composition in the shape of diamond, breaking the boundaries between image and physical space. At the centre, a circular shape - somewhere between an eye and a heart - becomes a visual fulcrum between gaze and introspection. The horizontal bar running through the painting acts as a fracture line, dissecting the composition and suspending the image in a visual tension. The palette is rich but never chaotic: reds, greens, oranges and blues confront and merge, generating a constant dialogue between emotion and structure. The work exudes a sense of metaphor surreal, suggesting an inner landscape that vibrates between order and chaos, between dream and reality. -
Sun Changhao Tecnique: Mixed Media Anno: 2025 Dimensions: 30 x 30 cm Descrizione: Against an intense orange background, black lines intertwine and expand like a spider's web, seeming to want to flee, but at the same time weaving a new order. The centre of the work is pulled by taut black threads, connected to the four corners of the frame, breaking the traditional boundaries of the painting and forcing the eye of the observer to penetrate the structure, going beyond the surface. The colours jump between geometry and chaos, with red, green and blue mingling, revealing an organic rhythm and inherent tension. -
Jacopo Piemontesi Tecnica: Acrilico su Tela di cotone Anno: 2021 Dimensione: 120×100 cm Descrizione: I miei volti sono come grida di rabbia ma non vogliono spaventare, chiedono di essere analizzati nelle emozioni che provocano. Vogliono esprimere vitalità ma con quel sentore di scandalo che si esprime nel malessere esistenziale della venerazione imma, quella per esempio dei musicisti degli anni '80, come nel caso di Kurt Cobain. Quest'ultimo, musicista del gruppo Nirvana, si sacrificò e distrusse la sua vita nella droga e nella malattia. La dualità esistente tra la sua vita privata e il volto esaltato ed esilarante che esibisce sul podio, il suo "Duoble Face", ha ispirato il mio lavoro. Opere energetiche mie, che certamente possono anche pensare ad una forza interiore nascosta che si impone con un grande impatto visivo. In questo modo si è compiuto un intero viaggio nel mio mondo artistico, dalla rabbia espressa ad un forte sentimento intimo mascherato, di felce, che viene finalmente decifrato, trasmesso all'osservatore come saltivica -
Jacopo Piemontesi Tecnica: Matita su carta spolverato Anno: 2023 Dimensione: 35×50 cm Descrizione: -
MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year: 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “What Remains Beneath” Raw and monochromatic, What Remains Beneath offers an intimate echo of a larger image — a skeletal version, stripped of color, revealing the undercurrent of gesture, structure, and silence. This drawing stems from the same composition as Threshold in Bloom, yet shifts the focus inward. Without color, the linework becomes central: direct, unfiltered, almost forensic. The mirrored faces, the stacked skulls, the climbing stems — all elements remain, but suspended in a kind of spectral space. Rather than illustrating a beginning or an end, this piece captures the in-between — the residue of memory before meaning fully forms, or after it fades. Presented in a signed, limited edition created exclusively for Arteaporte, What Remains Beneath speaks not loudly, but persistently — in the way quiet things do when we stop to listen. -
MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year : 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “Threshold in Bloom” Skulls and leaves, opposing faces, saturated tones — Threshold in Bloom explores a symbolic threshold: between life and death, memory and loss, color and disappearance. This illustration is the culmination of a broader reflection on transitions — biological, emotional, spiritual. Two human profiles face outward, separated by a crown of skulls, while a tangle of climbing plants rises behind them. The vibrant color palette suggests growth and resilience, even as the imagery evokes decay and departure. The piece was also brought to life as a large-scale mural (2.10 × 2.10 m), painted live at the ZikZac Festival 2025 in Aix-en-Provence. This performative context gave the composition a monumental presence, grounding the image in the physical and public space. Printed in a limited, signed edition exclusively for Arteaporte, Threshold in Bloom invites viewers to pause where life and death coexist — not in conflict, but in fragile dialogue. -
Shashikala Raj Tecnica: Acrylic paints and oil pastel on canvas Anno: 2023 Dimensione: 30cm x 30cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
Shashikala Raj Tecnica: Acrylic paints and oil pastel on canvas Anno: 2023 Dimensione: 36cm x 46cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
Shashikala Raj Tecnica: Oil pastel and brushwork on canvas using acrylic and enamel paints Anno: 2023 Dimensione: 30cm x 30cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
LUU Tecnica: Acrylic paint Anno:2025 Dimensione: 90cm*60cm Descrizione: They put their hometown into the bottom of the box, Like put away an unfinished embroidery, There is still hidden in the needle. The whisper of fermentation in the rainy season. And the wind of the Adriatic Sea, The skirt is being translated into The rhyme of strange letters– Every fold is arguing, Every border is defecting. We exhibit those Unopened moonlight: The left ear is crystallized into salt by the mother's advice. The right ear is being hit by the love words in Italian. Burn out the burn marks. Hanging all in the canvas The kiss that failed to land– Like the stained glass window of the church suddenly shattered, Saints and heresis Dance in the same light. -
LUU Tecnica: Acrylic paint Anno:2025 Dimensione: 60cm*60cm Descrizione: Not long ago, I participated in a public welfare exhibition in Milan. I met the curator of this exhibition, a Chinese woman with oriental female philosophy, who is very intelligent and mysterious. I recorded her. -
LUU Tecnica: Acrylic paint Anno: 2024 Dimensione: 50cm*40cm Descrizione: The unique charm of oriental women cultivated by the introverted culture