year: 2024
dimensions: 35 x 35
description:
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technique: Tecnica mista (plastica, vernice, resina)year: 2024dimensions: 35 x 35description: -
Patrícia Čmiková technique: pen-drawing on aquarel paperyear: 2025dimensions: A5 / without frame/ A4 with framedescription:Man interferes with nature in an immeasurable way. Many animal species are therefore on the verge of extinction. It is necessary to protect animals and regulate human activities that cause their extinction. -
Patrícia Čmiková technique: pen-drawing on aquarel paperyear: 2025dimensions: A4 format / without frame/ with frame A3description:Man interferes with nature in an immeasurable way. Many animal species are therefore on the verge of extinction. It is necessary to protect animals and regulate human activities that cause their extinction. -
Patrícia Čmiková technique: pen-drawing on aquarel paperyear: 2025dimensions: A3 format / without and with framedescription: Mass meat production causes great suffering to animals/innocent creatures. Man, as an "intelligent" creature, should reflect on himself and change his actions. The problem is not the consumption of meat itself, but the inhumane way we treat animals. Animals are sensitive living beings who have emotions just like humans. Man has become too comfortable. It is necessary to change this treatment of animals and everyone must start actively from themselves. This will bring benefits and a better quality of life not only to innocent beings, but also to themselves. -
Lele Picà Tecnique: Mixed media on canvas Anno: 2025 Dimensions: 40 x 30 cm Description: In this work, Lele Picà's little man becomes the silent observer of the Sagrada Famiglia, a symbol of wonder and contemplation. The balloon he holds in his hands represents the dream, light and colorful, that lifts him to the infinity of imagination." -
Sun Changhao Tecnique: Mixed Media Anno: 2025 Dimensions: 45 x 50 cm Descrizione: This work adopts a unique composition in the shape of diamond, breaking the boundaries between image and physical space. At the centre, a circular shape - somewhere between an eye and a heart - becomes a visual fulcrum between gaze and introspection. The horizontal bar running through the painting acts as a fracture line, dissecting the composition and suspending the image in a visual tension. The palette is rich but never chaotic: reds, greens, oranges and blues confront and merge, generating a constant dialogue between emotion and structure. The work exudes a sense of metaphor surreal, suggesting an inner landscape that vibrates between order and chaos, between dream and reality. -
Sun Changhao Tecnique: Mixed Media Anno: 2025 Dimensions: 30 x 30 cm Descrizione: Against an intense orange background, black lines intertwine and expand like a spider's web, seeming to want to flee, but at the same time weaving a new order. The centre of the work is pulled by taut black threads, connected to the four corners of the frame, breaking the traditional boundaries of the painting and forcing the eye of the observer to penetrate the structure, going beyond the surface. The colours jump between geometry and chaos, with red, green and blue mingling, revealing an organic rhythm and inherent tension. -
Jacopo Piemontesi Tecnica: Matita su carta spolverato Anno: 2023 Dimensione: 35×50 cm Descrizione: -
MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year: 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “What Remains Beneath” Raw and monochromatic, What Remains Beneath offers an intimate echo of a larger image — a skeletal version, stripped of color, revealing the undercurrent of gesture, structure, and silence. This drawing stems from the same composition as Threshold in Bloom, yet shifts the focus inward. Without color, the linework becomes central: direct, unfiltered, almost forensic. The mirrored faces, the stacked skulls, the climbing stems — all elements remain, but suspended in a kind of spectral space. Rather than illustrating a beginning or an end, this piece captures the in-between — the residue of memory before meaning fully forms, or after it fades. Presented in a signed, limited edition created exclusively for Arteaporte, What Remains Beneath speaks not loudly, but persistently — in the way quiet things do when we stop to listen. -
MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year : 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “Threshold in Bloom” Skulls and leaves, opposing faces, saturated tones — Threshold in Bloom explores a symbolic threshold: between life and death, memory and loss, color and disappearance. This illustration is the culmination of a broader reflection on transitions — biological, emotional, spiritual. Two human profiles face outward, separated by a crown of skulls, while a tangle of climbing plants rises behind them. The vibrant color palette suggests growth and resilience, even as the imagery evokes decay and departure. The piece was also brought to life as a large-scale mural (2.10 × 2.10 m), painted live at the ZikZac Festival 2025 in Aix-en-Provence. This performative context gave the composition a monumental presence, grounding the image in the physical and public space. Printed in a limited, signed edition exclusively for Arteaporte, Threshold in Bloom invites viewers to pause where life and death coexist — not in conflict, but in fragile dialogue. -
Shashikala Raj Tecnica: Acrylic paints and oil pastel on canvas Anno: 2023 Dimensione: 30cm x 30cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
Shashikala Raj Tecnica: Acrylic paints and oil pastel on canvas Anno: 2023 Dimensione: 36cm x 46cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
Shashikala Raj Tecnica: Oil pastel and brushwork on canvas using acrylic and enamel paints Anno: 2023 Dimensione: 30cm x 30cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
LUU Tecnica: Acrylic paint Anno: 2024 Dimensione: 50cm*40cm Descrizione: The unique charm of oriental women cultivated by the introverted culture -
Wafaa Alhusain Tecnica: created using a unique fusion of MRI and artificial intelligence. The process begins with an MRI scan of a butter melon, chosen for its intricate internal structure. This scan provides the organic, swirling, tunnel-like form at the center of each composition. The MRI image is digitally processed and enhanced, then integrated into a larger narrative scene. Anno: 2024 Dimensione: 30X40 cm Descrizione: This digital composition is set against a cosmic landscape streaked with nebula-like clouds, and features a lone silhouette gazing towards a glowing, tunnel-shaped portal. The portal's swirling, misty interior and bright, jagged edge are inspired by the MRI scan of a butter melon, reimagined here as a gateway to another dimension. Within the portal, a solitary figure walks forward, bathed in soft, otherworldly light. The interplay of darkness and illumination evokes themes of introspection, transition, and the search for meaning beyond the visible world. Printed on Hahnemühle Photo Rag Metallic fine art paper, framed in a black wood frame with archival matting. -
Wafaa Alhusain Tecnica: created using a unique fusion of MRI and artificial intelligence. The process begins with an MRI scan of a butter melon, chosen for its intricate internal structure. This scan provides the organic, swirling, tunnel-like form at the center of each composition. The MRI image is digitally processed and enhanced, then integrated into a larger narrative scene. Anno: 2024 Dimensione: 30X40 cm Descrizione: In this digital artwork, a solitary figure in a yellow coat stands on a reflective surface under a dramatic, storm-filled sky. The dark interior and glowing rim of the portal echo the organic forms revealed by the scan, revealed by the scan, scientific imagery into a mysterious gateway. At the heart of the portal, a glowing, ethereal figure appears, radiating energy and inviting the viewer to contemplate transformation, the unknown, and the journey inward. Printed on Hahnemühle Photo Rag Metallic fine art paper, framed in a black wood frame with archival matting. -
Tecnica: Ceramic°art, Pintura Acrílica y Efecto Gaudí Anno: 2025 Dimensione: 40x50cm Descrizione: Lo stile del mio lavoro è la “scultura da parete”. Lavoro da zero con un'argilla che produco io stesso e che si asciuga all'aria (Ceramic°art). Una volta che la base, un modello in rilievo, è asciutta, scolpisco l'opera. La tecnica pittorica è la vernice acrilica e l'“effetto Gaudì” per simulare un falso mosaico. È un onore esporre per la prima volta a Barcellona e mostrare il mio omaggio a Gaudì. -
Tecnica: Ceramic°art, Pintura Acrílica y Efecto Gaudí Anno: 2025 Dimensione: 40x50cm Descrizione: Lo stile del mio lavoro è la “scultura da parete”. Lavoro da zero con un'argilla che produco io stesso e che si asciuga all'aria (Ceramic°art). Una volta che la base, un modello in rilievo, è asciutta, scolpisco l'opera. La tecnica pittorica è la vernice acrilica e l'“effetto Gaudì” per simulare un falso mosaico. È un onore esporre per la prima volta a Barcellona e mostrare il mio omaggio a Gaudì. -
Fabriqose Tecnica: Matite colorate su carta Anno: 2024 Dimensione: 30 × 20 cm Descrizione: Una piccola casa resiste al tempo sulla riva siciliana, scrostata dal sole e dal sale, come una memoria che non vuole sbiadire. Davanti a lei, il mare immobile riflette il silenzio delle ore calde. Una palma di fico d’India veglia discreta, tra spine e frutti, simbolo di una terra ruvida e generosa. Un paesaggio intimo che racconta la bellezza imperfetta delle cose che restano. -
Fabriqose Tecnica: China Anno: 2024 Dimensione: 21 × 12 cm Descrizione: Un volto segnato dal tempo, una lacrima che scivola sulla guancia e si dissolve in frammenti di memoria: scorci di mare, pietre antiche, voci lontane. È la nostalgia siciliana — densa, profumata di zagara e vento salmastro — per ciò che è stato, per ciò che non è mai accaduto, per chi ci ha sfiorati solo un attimo e per chi ci ha camminato accanto per una vita. China su carta, puntinismo. -
Alice Sciarrone Tecnica: Pittura ad olio Anno: 2025 Dimensione: 21 x 29,7 cm Descrizione: In quest’opera, una figura solitaria cammina su una spiaggia siciliana accompagnata da un cane. La scena ritrae un momento della vita quotidiana in una spiaggia di Messina. Il confine tra pace e malinconia è labile, una terra così bella che quasi tutti sono costretti a lasciare. Se si decide di rimanere, molto spesso si rimane da soli. Niente è peggiore dell’essere costretti a lasciare una casa tanto bella. -
Sun Changhao Tecnica: Tecnica mista Anno: 2025 Dimensione: 30*34cm Descrizione: Cerco di catturare la sensazione di sfocatura e sospensione che emerge nel momento in cui sogno e realtà si incontrano. Attraverso una composizione inclinata e una struttura visiva a collage, lo spettatore viene condotto in uno spazio al contempo familiare e alienante. La silhouette della figura nel quadro sembra trovarsi sulla soglia del sogno: desiderosa di entrare nella luce della realtà, ma al contempo attratta dalla forza gravitazionale del sogno verso l’interiorità. In questo “secondo spazio”, il tempo si arresta, la realtà si decostruisce e il sogno diventa il protagonista della percezione. -
Vaidotas Vankevicius Tecnica: Oil paint on canvas Anno: 2021 Dimensione: 33x41cm Descrizione: This painting depicts the final days of October, with the last remaining golden leaves on the trees and sunlight gradually giving way to the bleakness of late autumn. The work was created on location, directly from nature. -
Vaidotas Vankevicius Tecnica: Oil paint on canvas Anno: 2025 Dimensione: 33x41cm Descrizione: This painting depicts an evening landscape near a horse farm. The aim of the work is to convey the tranquility of the evening and the unique palette of Lithuanian nature -
Vaidotas Vankevicius Tecnica: Oil paint on canvas Anno: 2025 Dimensione: 40x40cm Descrizione: This work depicts an oak tree standing on a hill in early spring, serving as a guidepost for the approaching spring winds and awakening nature. The painting was created on location, directly from nature. -
Tecnica: Olio su legno Anno: 2022 Dimensione: 35x55 cm Descrizione: -
Lab Ruz Technique: Acylic paint, collage Year of creation: 2025 Dimensions: 39, 5 x 29,6 cm -
Lab Ruz Technique: Acylic paint, collage Year of creation: 2025 Dimensions: 39, 5 x 29,6 cm -
Luca pontrandolfo Technique: Mixed media Year of creation: 2025 Dimensions: 30 x 20 cm Description: Layers, visions, movement. -
Luca pontrandolfo Technique: Mixed media Year of creation: 2025 Dimensions: 30 x 20 cm Description: Layers, visions, movement. -
Luca pontrandolfo Technique: Mixed media Year of creation: 2025 Dimensions: 30 x 20 cm Description: Layers, visions, movement. -
Enrico Pellisero Technique: carrara marble Year of creation: 2024 Dimensions: 17 x 35 x 40 cm Description: the work represents the pettiness of man, which still leads him to commit genocidal acts. Parts of a man represent the ongoing massacre in Gaza. The crazed look and the scream of fear express part of that pain. The work is a tribute to the persecuted people.
