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MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year: 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “What Remains Beneath” Raw and monochromatic, What Remains Beneath offers an intimate echo of a larger image — a skeletal version, stripped of color, revealing the undercurrent of gesture, structure, and silence. This drawing stems from the same composition as Threshold in Bloom, yet shifts the focus inward. Without color, the linework becomes central: direct, unfiltered, almost forensic. The mirrored faces, the stacked skulls, the climbing stems — all elements remain, but suspended in a kind of spectral space. Rather than illustrating a beginning or an end, this piece captures the in-between — the residue of memory before meaning fully forms, or after it fades. Presented in a signed, limited edition created exclusively for Arteaporte, What Remains Beneath speaks not loudly, but persistently — in the way quiet things do when we stop to listen.
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MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year : 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “Threshold in Bloom” Skulls and leaves, opposing faces, saturated tones — Threshold in Bloom explores a symbolic threshold: between life and death, memory and loss, color and disappearance. This illustration is the culmination of a broader reflection on transitions — biological, emotional, spiritual. Two human profiles face outward, separated by a crown of skulls, while a tangle of climbing plants rises behind them. The vibrant color palette suggests growth and resilience, even as the imagery evokes decay and departure. The piece was also brought to life as a large-scale mural (2.10 × 2.10 m), painted live at the ZikZac Festival 2025 in Aix-en-Provence. This performative context gave the composition a monumental presence, grounding the image in the physical and public space. Printed in a limited, signed edition exclusively for Arteaporte, Threshold in Bloom invites viewers to pause where life and death coexist — not in conflict, but in fragile dialogue.
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LUU Tecnica: Acrylic paint Anno:2025 Dimensione: 90cm*60cm Descrizione: They put their hometown into the bottom of the box, Like put away an unfinished embroidery, There is still hidden in the needle. The whisper of fermentation in the rainy season. And the wind of the Adriatic Sea, The skirt is being translated into The rhyme of strange letters– Every fold is arguing, Every border is defecting. We exhibit those Unopened moonlight: The left ear is crystallized into salt by the mother's advice. The right ear is being hit by the love words in Italian. Burn out the burn marks. Hanging all in the canvas The kiss that failed to land– Like the stained glass window of the church suddenly shattered, Saints and heresis Dance in the same light.
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LUU Tecnica: Acrylic paint Anno:2025 Dimensione: 60cm*60cm Descrizione: Not long ago, I participated in a public welfare exhibition in Milan. I met the curator of this exhibition, a Chinese woman with oriental female philosophy, who is very intelligent and mysterious. I recorded her.
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LUU Tecnica: Acrylic paint Anno: 2024 Dimensione: 50cm*40cm Descrizione: The unique charm of oriental women cultivated by the introverted culture
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Vaidotas Vankevicius Tecnica: Oil paint on canvas Anno: 2025 Dimensione: 40x40cm Descrizione: This work depicts an oak tree standing on a hill in early spring, serving as a guidepost for the approaching spring winds and awakening nature. The painting was created on location, directly from nature.
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Lab Ruz Technique: Acylic paint, collage Year of creation: 2025 Dimensions: 39, 5 x 29,6 cm
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Lab Ruz Technique: Acylic paint, collage Year of creation: 2025 Dimensions: 39, 5 x 29,6 cm
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Alessandro Sciurti Technique: Acrilico e resina su tela Year of creation: 2025 Dimensions: 50x35x4 Description: Coloured sensations expressed on canvas
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Alessandro Sciurti Technique: Acrilico e resina su tela Year of creation: 2025 Dimensions: 80x80x4 Description: Increasingly violent societies and peoples make us reflect on our future. A distant city enveloped in the colour red, a representation of present concerns.
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Giulia Nestola Tecnica: incisione calcografica (acquaforte) Anno: 2024 Dimensioni: 70cm x 70cm Descrizione: alle anime perse dovremmo dare un tetto, ai corpi senza pace offro il mio letto polline cerca polline. legittimare sé stessi e a sé stessi; sapere quando non aggiungere altro, quando togliere. imparare a ricalibrarsi è una questione di sopravvivenza. una struttura che tiene tutto in tensione. toccarsi in superficie; uno non è mai finito con niente. proliferare. è un dovere dubitare del dovere? essere in uno stato d'incontro.
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Tecnica: Acrilico Anno: 2024 Dimensioni: 53 x 73 cm Descrizione: la vita sotto le città il mistero di sempre.
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Massimiliano Filasieno Tecnica: Installazione Dimensione: 70 x 70 Anno: 2025 Descrizione: Il cervello ha bisogno del cuore.
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Massimiliano Filasieno Tecnica: Vernice|Gesso|Cera|Oggetti trovati Dimensione: 50x29 Anno: 2023 Descrizione: Brain in the cage
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Massimiliano Filasieno Tecnica: Vernice|Gesso|Cera|Oggetti trovati Dimensione: 22 cm X 32 cm Anno: 2020 Descrizione: Braintree è una rappresentazione scultorea della similitudine organica e funzionale fra un cervello umano ed un albero che dalle sue radici nel terreno sale verso l'alto con il tronco e poi la chioma attraverso un organismo vegetale, ricco di sempre più fitte e piccole connessioni, così come avviene nel cervello con i suoi neuroni. E poi si è voluto evidenziare la apparente diversità dei due emisferi celebrali attraverso i colori.
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Silvy Tecnica: Stoffa Dimensione: 50X70 cm Anno: 2025 Descrizione: stoffa di costumi che assorbe l acqua del mare
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ANNA TERESA RITACCO Tecnica: Mista Dimensione: 50X70 cm Anno: 2021 Descrizione: Sfumature di colore, segni a tratti univoci interpolati in una sequenza di sculture in ferro ossidato in mutamento. Racconti che riecheggiano il vissuto, impreziosito da pieghe che compongono trame di un fluido pensiero in lontananza. Le linee si compongono e si adagiano vicino il costruito, un connubio tra pieni e vuoti, tra colore e assenza.