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Jacopo Piemontesi Tecnica: Acrilico su Tela di cotone Anno: 2021 Dimensione: 120×100 cm Descrizione: I miei volti sono come grida di rabbia ma non vogliono spaventare, chiedono di essere analizzati nelle emozioni che provocano. Vogliono esprimere vitalità ma con quel sentore di scandalo che si esprime nel malessere esistenziale della venerazione imma, quella per esempio dei musicisti degli anni '80, come nel caso di Kurt Cobain. Quest'ultimo, musicista del gruppo Nirvana, si sacrificò e distrusse la sua vita nella droga e nella malattia. La dualità esistente tra la sua vita privata e il volto esaltato ed esilarante che esibisce sul podio, il suo "Duoble Face", ha ispirato il mio lavoro. Opere energetiche mie, che certamente possono anche pensare ad una forza interiore nascosta che si impone con un grande impatto visivo. In questo modo si è compiuto un intero viaggio nel mio mondo artistico, dalla rabbia espressa ad un forte sentimento intimo mascherato, di felce, che viene finalmente decifrato, trasmesso all'osservatore come saltivica -
Jacopo Piemontesi Tecnica: Matita su carta spolverato Anno: 2023 Dimensione: 35×50 cm Descrizione: -
MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year: 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “What Remains Beneath” Raw and monochromatic, What Remains Beneath offers an intimate echo of a larger image — a skeletal version, stripped of color, revealing the undercurrent of gesture, structure, and silence. This drawing stems from the same composition as Threshold in Bloom, yet shifts the focus inward. Without color, the linework becomes central: direct, unfiltered, almost forensic. The mirrored faces, the stacked skulls, the climbing stems — all elements remain, but suspended in a kind of spectral space. Rather than illustrating a beginning or an end, this piece captures the in-between — the residue of memory before meaning fully forms, or after it fades. Presented in a signed, limited edition created exclusively for Arteaporte, What Remains Beneath speaks not loudly, but persistently — in the way quiet things do when we stop to listen. -
MANAR Tecnique: Printed as a giclée on certified Canson Etching Rag 310g paper, signed and numbered, part of a limited edition. Year : 2025 Dimensions: 35 x 35 cm Description: BETWEEN BLOOM AND BONE – Diptych – “Threshold in Bloom” Skulls and leaves, opposing faces, saturated tones — Threshold in Bloom explores a symbolic threshold: between life and death, memory and loss, color and disappearance. This illustration is the culmination of a broader reflection on transitions — biological, emotional, spiritual. Two human profiles face outward, separated by a crown of skulls, while a tangle of climbing plants rises behind them. The vibrant color palette suggests growth and resilience, even as the imagery evokes decay and departure. The piece was also brought to life as a large-scale mural (2.10 × 2.10 m), painted live at the ZikZac Festival 2025 in Aix-en-Provence. This performative context gave the composition a monumental presence, grounding the image in the physical and public space. Printed in a limited, signed edition exclusively for Arteaporte, Threshold in Bloom invites viewers to pause where life and death coexist — not in conflict, but in fragile dialogue. -
Shashikala Raj Tecnica: Acrylic paints and oil pastel on canvas Anno: 2023 Dimensione: 30cm x 30cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
Shashikala Raj Tecnica: Acrylic paints and oil pastel on canvas Anno: 2023 Dimensione: 36cm x 46cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
Shashikala Raj Tecnica: Oil pastel and brushwork on canvas using acrylic and enamel paints Anno: 2023 Dimensione: 30cm x 30cm Descrizione: This work is part of a series that I am painting featuring women, called "Not now, I'm reading" Books are a haven; a window into multiple worlds and unreachable unimaginable lives. Books can be empowering and render women dangerous. Women have always had constant demands on their time. The ability to say ‘Not now, I am reading’ does not come readily. Reading can be dismissed as unimportant and frivolous; an easily interruptible pursuit. The women featured in this series are self-confident, powerful women who are readers, who will not hesitate to still the cacophony around them to glide into another world The strong colours that are used represent their personalities, and the moods they are in – brooding, inspired, annoyed or just savouring their fired imaginations. -
LUU Tecnica: Acrylic paint Anno:2025 Dimensione: 90cm*60cm Descrizione: They put their hometown into the bottom of the box, Like put away an unfinished embroidery, There is still hidden in the needle. The whisper of fermentation in the rainy season. And the wind of the Adriatic Sea, The skirt is being translated into The rhyme of strange letters– Every fold is arguing, Every border is defecting. We exhibit those Unopened moonlight: The left ear is crystallized into salt by the mother's advice. The right ear is being hit by the love words in Italian. Burn out the burn marks. Hanging all in the canvas The kiss that failed to land– Like the stained glass window of the church suddenly shattered, Saints and heresis Dance in the same light. -
LUU Tecnica: Acrylic paint Anno:2025 Dimensione: 60cm*60cm Descrizione: Not long ago, I participated in a public welfare exhibition in Milan. I met the curator of this exhibition, a Chinese woman with oriental female philosophy, who is very intelligent and mysterious. I recorded her. -
LUU Tecnica: Acrylic paint Anno: 2024 Dimensione: 50cm*40cm Descrizione: The unique charm of oriental women cultivated by the introverted culture -
Wafaa Alhusain Tecnica: created using a unique fusion of MRI and artificial intelligence. The process begins with an MRI scan of a butter melon, chosen for its intricate internal structure. This scan provides the organic, swirling, tunnel-like form at the center of each composition. The MRI image is digitally processed and enhanced, then integrated into a larger narrative scene. Anno: 2024 Dimensione: 30X40 cm Descrizione: This digital composition is set against a cosmic landscape streaked with nebula-like clouds, and features a lone silhouette gazing towards a glowing, tunnel-shaped portal. The portal's swirling, misty interior and bright, jagged edge are inspired by the MRI scan of a butter melon, reimagined here as a gateway to another dimension. Within the portal, a solitary figure walks forward, bathed in soft, otherworldly light. The interplay of darkness and illumination evokes themes of introspection, transition, and the search for meaning beyond the visible world. Printed on Hahnemühle Photo Rag Metallic fine art paper, framed in a black wood frame with archival matting. -
Wafaa Alhusain Tecnica: created using a unique fusion of MRI and artificial intelligence. The process begins with an MRI scan of a butter melon, chosen for its intricate internal structure. This scan provides the organic, swirling, tunnel-like form at the center of each composition. The MRI image is digitally processed and enhanced, then integrated into a larger narrative scene. Anno: 2024 Dimensione: 30X40 cm Descrizione: In this digital artwork, a solitary figure in a yellow coat stands on a reflective surface under a dramatic, storm-filled sky. The dark interior and glowing rim of the portal echo the organic forms revealed by the scan, revealed by the scan, scientific imagery into a mysterious gateway. At the heart of the portal, a glowing, ethereal figure appears, radiating energy and inviting the viewer to contemplate transformation, the unknown, and the journey inward. Printed on Hahnemühle Photo Rag Metallic fine art paper, framed in a black wood frame with archival matting. -
Tecnica: Efecto Gaudí sobre madera (sul legno) Anno: 2025 Dimensione: 50×50 Descrizione: “Istinto Felino” fa parte della mia serie ANIMALI, in cui lavoro su ritratti di animali con molto colore. La tecnica pittorica è l'“Effetto Gaudì” e la pittura botanica. Ho iniziato a dipingere questi animali colorati due anni fa, il primo è stato la giraffa. Questa serie continuerà ad espandersi perché mi permette di esprimermi nella mia totalità. Perché i miei animali con così tanti colori? Come ogni cosa nell'arte, quando nasce non si sa “da dove viene”, ma ora che sono alla terza opera di questa collezione, ho iniziato a sentirla legata agli alebrijes, creature mistiche e spirituali che rappresentanno l'anima; si crede che ogni essere umano sia accompagnato da un animale che lo guiderà e proteggerà per tutta la vita. È un onore esporre per la prima volta a Barcellona e mostrare la mia tecnica particolare. -
Tecnica: Ceramic°art, Pintura Acrílica y Efecto Gaudí Anno: 2025 Dimensione: 40x50cm Descrizione: Lo stile del mio lavoro è la “scultura da parete”. Lavoro da zero con un'argilla che produco io stesso e che si asciuga all'aria (Ceramic°art). Una volta che la base, un modello in rilievo, è asciutta, scolpisco l'opera. La tecnica pittorica è la vernice acrilica e l'“effetto Gaudì” per simulare un falso mosaico. È un onore esporre per la prima volta a Barcellona e mostrare il mio omaggio a Gaudì. -
Tecnica: Ceramic°art, Pintura Acrílica y Efecto Gaudí Anno: 2025 Dimensione: 40x50cm Descrizione: Lo stile del mio lavoro è la “scultura da parete”. Lavoro da zero con un'argilla che produco io stesso e che si asciuga all'aria (Ceramic°art). Una volta che la base, un modello in rilievo, è asciutta, scolpisco l'opera. La tecnica pittorica è la vernice acrilica e l'“effetto Gaudì” per simulare un falso mosaico. È un onore esporre per la prima volta a Barcellona e mostrare il mio omaggio a Gaudì.
