Arteaporte
  • Ana Alves   Tecnica: digital Anno: 2025 Dimensione senza cornice: 42,3cmx29,6cm Descrizione: This digital illustration weaves body and territory into a metaphor for the respiratory system: the path as a trachea, the branches as bronchi, the greenery as alveoli. At its center, a young woman in red — the beating heart — walks open-armed into a future of freedom and hope. Ahead of her, a city rises along the airway, calling for a more conscious and connected world. Embroidered on her shorts, traditional Portuguese patterns whisper of identity, heritage, and the quiet beauty of diversity.
  • Giada Mattias   Tecnica: Illustrazione digitale Anno: 2023 Dimensione senza cornice:  1189 cm x 841cm Descrizione: TUTTI SIAMO TUTTO La musica invade lo spazio e diventiamo la musica che ascoltiamo Siamo vuoto, siamo pieno, energia, onde, vibrazioni I limiti non esistono? Forse si, forse no, lo posso avvertire quando mi lascio andare, e volano i pensieri e volo da te Mi piace pensare al mondo visto con gli occhi di qualcos’altro, è in bianco e nero? A colori? Con questi colori? Si muove ininterrottamente tutto, quanto vale la distanza? Siamo insieme ancora oggi? Non siamo la forma, siamo la sostanza
  • FAME I

    3.560,00 
    Giada Mattias   Tecnica: Acrilico Anno: 2021 Dimensione senza cornice: 100 cm x 80 cm Descrizione:  Oggi Oggi è la rivoluzione Oggi è azione Inno alla Donna Non c’è più tempo Corro e strepito Irrequieto pulsa il sangue Aritmico, sconnesso Mi perdo Deve sputare ciò che è custodito non può più sopportare Oggi Posso Tutto
  • Giada Mattias   Tecnica: Acrilico Anno: 2023 Dimensione senza cornice: 100 cm x 140 cm Descrizione: Va, Risveglio dei sensi Conquista del cielo Scalda, Le ali Staglia, Il tuo volo
  • Fragilità

    712,00 

    Shirin Eghbal

      Tecnica: Acquerello Anno: 2025 Dimensione senza cornice: 46X34 cm Descrizione: "Fragilita" ovvero l'essenza dell'essere umano. Il soggetto ripreso di spalle è l'emblema dell'animo che spesso gli individui si trovano a provare nella vita. Evoca sconforto, solitudine, sofferenza e al contempo compostezza e riservatezza. I capelli raccolti paiono voler proteggere i sentimenti.
  • Nel tempo

    890,00 

    Shirin Eghbal

    Technique: Watercolour Year: 2025 Size unframed: 46 x 34 cm Description: ‘Nel Tempo’ is a watercolour work that leads one to reflect on time. Not only in relation to the fact that it passes, but that it leaves its marks on everything. Time manipulates and changes everything and everyone. Becoming is always evolving. Time is nothing if not life. To live each moment and not understand that it is unique or if we do understand it, it has already escaped us. Just like the colour that defines a face but slips and turns it into a movement that cannot be stopped. The artist brings to reflection through a single face, the dynamism of the passing of seconds of minutes of years. Time eludes. The transformation depicted in the painting is a path that leads us to reflect and evaluate in an instant what we saw just now and can now only imagine what it was and how it was.  
  • NUDO

    890,00 

    Shirin Eghbal

    Technique: Watercolour Year: 2025 Size unframed: 46 x 34 cm Description: This is not the first time that Shirin has devoted herself to the nude, but in this work, with skilful brushstrokes, sometimes marked and on the hips blurred, she seems not only to want to reproduce a harmonious or sensual body, although this is how it may appear to the eyes of the observer, but a state of mind. The concealed face, the only partially reproduced limbs, give a sense of incompleteness. That which today's woman experiences in her intimate daily life, harassed and constantly immersed in a frantic chase, in search of personal affirmation or just survival. Well then, Shirin portrays her for what she really wants to be, naked, abandoned but at the same time radiated by the warmth that lingers in her very nature.  
  • Tension

    400,00 
    Suzann Kundi Technique: Pencil on Paper Year: 2022 Size unframed: 29 x 21 cm Description: Our lines show the tension but we have been taught to focus on what lies beneath them. In this project, I am searching for the beauty of what we ignore on the surface when looking for deeper answers; in itself, creating even more tension.
  • Consumed 1

    836,00 
    Suzann Kundi Technique: Pencil on Paper Year: 2020 Size unframed: 29cm X 21cm Description: Objects during the shrunken space of lockdown grew not only in their physical form but in meaning. In this collection of works, I wanted to highlight objects with an inner and external beauty that normally remains untapped. A beauty that, just like with a lot of us, is lost within the noise of modern-day society.
  • Untitled project 1

    1.050,00 
    Suzann Kundi Technique: Digital Print Year: 2015 Size unframed: 29.7 x 42 cm Description: Untitled Project is a series of digital images exploring the fractured female form. The collection of images display a woman interacting, and at the same time being restricted by, her surroundings; enforcing movement and reforming herself beyond society's expectations of her.
  • Fantasma

    480,00 

    Marco Rondena

    Technique: Mixed Media Year: 2025 Size unframed: 24x30 cm Description: With ‘Phantom’ I wanted to explore the darkness of the soul, that inner zone where fears, invisible wounds, thoughts that find no voice are deposited. In the centre of the work, a silver cross stands out against a black, rippled, imperfect background - like the very surface of the unconscious. It is not a material cross, but a visual, symbolic, almost ethereal presence. Its cold glow contrasts with the living, tormented matter that surrounds it. The blackness of the background is not empty: it is tension, it is bodily memory, it is skin of the soul traversed by silences and disturbances. The cross appears as an unstable apparition, a form that emerges from the darkness without ever imposing itself, as fragile as a thought that cannot be held back. Phantom speaks of introspection and inner pain. It is a Gothic image, in the emotional and spiritual sense of the term: an evocation of the weight of the invisible, of silent suffering, of the search for meaning in one's own shadow. It does not give comfort, but invites us to listen to what troubles us.  
  • Nobody

    623,00 

    Marco Rondena

    Technique: Mixed Media, Paint Charcoal and Acrylic Year: 2025 Size unframed: 30×40 cm Description: With “Nobody”, I wanted to investigate the surface of the human skin as a metaphor for our identity: rippled, imperfect, crossed by tensions. Against this material background, two dirty, rough holes open up, reminiscent of two moons. They are gashes in appearance, wounds that reveal something deeper: two inner views of human nature, intimate and disturbing, that force us to confront what we normally avoid seeing. Those moon-eyes do not observe the outside world, but invite us to look inside: there where fear, a sense of exclusion, fragility dwell. 'Nobody' is a work about the loss of recognition, about what it means today to be invisible in a society that only values image, success, noise. It is a silent but radical denunciation against the flattening of identity and indifference towards those who remain on the margins.  
  • Calvary

    623,00 

    Marco Rondena

    Technique: Mixed Media, Paint Charcoal and Acrylic Year: 2025 Size unframed: 30×40 cm Description: With “Calvary” I wanted to represent the moment when human pain reaches its most extreme point: not only physical suffering, but the absolute despair of feeling abandoned even by God. The face of Christ, at the centre of the work, is disfigured, weeping, writhing in an anguish that does not only belong to the sacred past, but speaks of the present, of our fears, our loneliness. Around him I painted three halos, each with a precise colour and meaning. Red is suffering, that which runs through bodies and consciences, that of wars, injustice, broken existences. Yellow represents the spirit, the collective conscience that should enlighten us, but which often remains mute and distant. Blue is death, but not only physical death: it is the death of values, of compassion, of responsibility. "Calvary' is a mute cry, an image of denunciation. It is my response to the world that is silent before the pain of the last. An invitation to look suffering in the face, without turning away.  
  • Lyli   Tecnica: Acrilico su tela Anno: 2025 Dimensione senza cornice: 40x40 cm
  • Lyli   Tecnica: Acrilico su tela Anno: 2024 Dimensione senza cornice: 40x50 cm
  • La forza

    427,20 
    Lyli   Tecnica: Acrilico su tela Anno: 2024 Dimensione senza cornice: 40x40 cm
  • Putto

    427,20 
    Lyli   Tecnica: Acrilico su tela Anno: 2024 Dimensione senza cornice: 40x40 cm
  • Lyli   Tecnica: Acrilico su tela Anno: 2024 Dimensione senza cornice: 40x40 cm
  • Sensazioni

    427,20 
    Lyli   Tecnica: Tecnica mista (prevalentemente acrilico) su tela Anno: 2024 Dimensione senza cornice: 40x40 cm
  • Lyli   Tecnica: Acrilico su tela Anno: 2025 Dimensione senza cornice: 70x80 cm
Torna in cima