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Anastasia Cherezova Tecnica: watercolor, ink&pen, colored pencils Dimensione: 56 cm ×76 cm Anno: 2025 Descrizione: This work examines the relationship between structure and fluidity. The figure appears suspended between species and states of existence, balancing fragility and mutation. Repetitive marks and translucent layers create a sense of rhythm and instability, while watercolor and ink allow the form to remain open, unfinished, and continuously shifting -
Anastasia Cherezova Tecnica: watercolor, ink&pen, colored pencils Dimensione: 56 cm ×76 cm Anno: 2025 Descrizione: This work focuses on transformation as a continuous process rather than a fixed state. Hybrid forms move through the composition like evolving organisms, connecting animal, organic, and human associations. I work with watercolor as a material that reacts, flows, and creates unexpected transitions, allowing the image to develop through instability and movement. -
Anastasia Cherezova Tecnica: watercolor, ink&pen, colored pencils Dimensione: 56 cm ×76 cm Anno: 2026 Descrizione: This work explores unstable organic forms that seem to emerge and transform into one another. The creatures do not belong to any identifiable species and exist somewhere between the animal, the organic, and the imaginary. I am interested in moments when a form is still unfixed and continuously changing. Watercolor allows the image to develop unpredictably, spreading and reacting like a living substance. -
Sara Andraghetti Tecnica: Mista (Matita, China, Acquerello) Anno: 2026 Dimensione: A3 (29,7 x 42 cm)Descrizione: La seconda opera più ragionata, e parla dell’erotismo quello verso sé stessi, una creatura plurigenere che statica gode nel suo atto, grottesca, coi seni che cadono, con un pene privo di ghiandole quindi volto puramente al piacere senza fine se non sé stesso, un momento di stasi in cui far uscire i propri impeti, una pianta carnivora che mangia se stessa. -
Sara Andraghetti Tecnica: Mista (Matita, China, Acquerello) Anno: 2026 Dimensione: A3 (29,7 x 42 cm)Descrizione: Dalla lettura del testo mi ha preso l’impulso generando due forze che si intrecciano, in maniera selvaggia, tenendosi, trattenendosi, intrecciandosi, blu e rosso non come generi ma come principi, come opposizione di tensioni che nell’erotismo di muovono, niente occhi niente espressioni solo corpi selvaggi, nessun genitale perché tutto diventa organo riproduttore: capezzoli, seni, nessun genere se non l’essenza. Impeto. -
Nourhan Aljoundy Tecnica: Mixed media on brown paper Anno: 2020 Dimensione: 21 x 29 cm Descrizione: We see the girl here hanging upside down on a clothesline, but all her thoughts are focused on securing her skirt to avoid exposing her body. The girl is so tense in this moment that we see a bird standing on the clothesline due to its extreme stillness. -
Nourhan Aljoundy Tecnica: Mixed media on brown paper Anno: 2020 Dimensione: 21 x 29 cm Descrizione: Here we find the same girl standing in front of her dressing mirror, and we see her back bent deeply as an attempt to hide her breasts from others. This is one of several problems or symptoms that some girls begin to develop during puberty and the start of their physical changes, where they involuntarily bend their backs in order to avoid playful comments from family adults, which are often unwise and have a long-lasting and violent impact on the girl. -
Nourhan Aljoundy Tecnica: Mixed media on brown paper Anno: 2020 Dimensione: 21 x 29 cm Descrizione: In this work, I tried to depict the emotional state experienced by women on their wedding night in a sudden way, exactly as it is in reality. This roughness is reflected in the colour of the girl's dress, a bright bloody red, and in the immense pain that take shape in her imagination, manifested by the enlargement and displacement of the male genitalia from their original position within the partner's or lover's body. The girl is always naked, yet we do not see the lower part of her body due to her poor relationship with her own body and her constant attempt to deny and ignore her own sexuality, whether between herself and her own body, or between herself and her partner.