Arteaporte
  • Anastasia Cherezova Tecnica: watercolor, ink&pen, colored pencils Dimensione: 56 cm ×76 cm Anno: 2025 Descrizione: This work focuses on transformation as a continuous process rather than a fixed state. Hybrid forms move through the composition like evolving organisms, connecting animal, organic, and human associations. I work with watercolor as a material that reacts, flows, and creates unexpected transitions, allowing the image to develop through instability and movement.
  • Anastasia Cherezova Tecnica: watercolor, ink&pen, colored pencils Dimensione: 56 cm ×76 cm Anno: 2026 Descrizione: This work explores unstable organic forms that seem to emerge and transform into one another. The creatures do not belong to any identifiable species and exist somewhere between the animal, the organic, and the imaginary. I am interested in moments when a form is still unfixed and continuously changing. Watercolor allows the image to develop unpredictably, spreading and reacting like a living substance.
  • Estasi

    260,00 
    Massimiliano Ferrario Tecnica: colori a olio su tela Anno: 2025 Dimensione: 80 x 70 cm Descrizione: L'Estasi di un emozione si può trasformare in varie sfaccettature.
  • Faces

    143,00 
    Lulù   Tecnica: painting Anno: 2025 Dimensioni: 20 x 20 cm Descrizione: This artwork is highly colorful and expressive, with a strong contrast between light and dark areas. The lower part is black, creating a sense of weight and tension that contrasts with the vibrant, dynamic upper section. Within the colorful area, abstract faces emerge and dissolve, suggesting fragmented identities and shifting emotional states. The work is intuitive in nature and does not follow a fixed narrative or predefined meaning. I prefer to let my artworks define themselves rather than my words, as my practice is often guided by instinct and process rather than explanation.
  • Lulù   Tecnica: painting Anno: 2026 Dimensioni: 60 x 80 cm Descrizione: This artwork is divided into three sections, creating a structured composition. The upper section is black and features the letter “A” for anarchy, setting a strong conceptual and symbolic tone. The lower right section is red and contains attached eyes, representing the idea of seeing and being seen, with the word “ICU” (“I see you”) reinforcing this concept of awareness and mutual recognition. The lower left section is the largest area and is filled with vivid, colorful forms. It represents an inner world made of emotion, energy, and imagination, contrasting with the more symbolic and intense sections.
  • Margherita Marzari Tecnica: tecnica mista su tela Anno: 2026 Dimensioni: 38 x 30 cm Descrizione: Inciampi e cadi o ti lanci sicuro dell’atterraggio ma la rete sotto di te è invisibile alla vista: non sai prevedere se reggerà o se si romperà quando la colpirai. Non sai se ti accoglierà o se le passerai attraverso senza rallentare il tuo volo. Prezzo: 290 € cad.
  • Margherita Marzari Tecnica: acrilico su lastra di metallo Anno: 2026 Dimensioni: 28 x 39 cm Descrizione: Come un’emozione forte. È passione, rabbia, dolore. Rosso è il sangue che esce da una ferita, da uno strappo che deve essere ricucito. Rosso è amore che diventa disperazione, divisi da un confine che si nasconde dietro una luce abbagliante. Rossa è la bellezza di una cicatrice rimarginata. Prezzo: 363 € cad.
  • Schlottmann Dirk Tecnica: Photomontage Anno: 2022 Dimensione: 35 x50 Descrizione: Asynchronization describes a state in which lived experience and reality no longer appear congruent. What one perceives or undergoes often unfolds with a delay—like an afterglow of experience, particularly following crises. Reality does not manifest immediately but remains displaced, fragmented, and at times only partially accessible. This condition generates a sense of estrangement within one’s own world. The familiar appears distant, while inner processes can no longer be clearly assigned to external reality. Within this shift, fundamental questions of identity emerge: Who am I in a reality that no longer feels synchronous? Where does the boundary lie between inner experience and the external world? The decision not to provide explicit descriptions of the images is intentional. Each viewer is invited to engage with the works on a personal and immediate level, allowing individual perception and experience to take precedence over interpretation. The images are conceived as multilayered spaces of meaning that unfold differently for each observer. Rather than guiding the viewer through fixed narratives or verbal explanations, the work emphasizes openness and ambiguity. In this context, the visual language is given priority over the word. The image itself is understood as the primary carrier of meaning—one that operates beyond language and invites a direct, intuitive response.
  • Abissi

    260,00 
    Massimiliano Ferrario Tecnica: colori a olio su tela Anno: 2026 Dimensione: 80 x 70 Descrizione: Negli abissi volevo interpretare l esperiaenza di trovarsi nei fondali marini.
  • Massimiliano Ferrario Tecnica: colori a olio su tela Anno: 2025 Dimensione: 60 x 80 Descrizione:  Un esasperazioni di colori è un insieme di colori cercando una giusta loro dimensione
  • Helga Borbas   Tecnica: Mixed technique on honeycomb papaerboard Anno: 2026 Dimensione: 50 x 65 cm Descrizione: My pictures are inner roads. Inner stage pictures – I paint series about the vulnerability of human existence, about life and death, about outburst and release. My paintings are, in fact, ways of existence, visceral moods, battlefields – imprints of pure emotional states.Nervous system , guts & blood – these are the driving forces of the pictures of mine.These 3 Visceral portraits are from the EXiSt series.I am interested in the search for the deeper layers of man, the contents of the subconscious, the stretching of the final boundaries, and some inner truth.When painting, I rely on my own emotive memory. I am keen on the process itself, I wish to grab the revealing subconscious.with harsh emotional intensity, a strong, instinctive, irrational load and I wish to know where I can put this process to a stand.
  • Helga Borbas   Tecnica: Mixed technique on honeycomb papaerboard Anno: 2025 Dimensione: 50 x 65 cm Descrizione: My pictures are inner roads. Inner stage pictures – I paint series about the vulnerability of human existence, about life and death, about outburst and release. My paintings are, in fact, ways of existence, visceral moods, battlefields – imprints of pure emotional states.Nervous system , guts & blood – these are the driving forces of the pictures of mine.These 3 Visceral portraits are from the EXiSt series.I am interested in the search for the deeper layers of man, the contents of the subconscious, the stretching of the final boundaries, and some inner truth.When painting, I rely on my own emotive memory. I am keen on the process itself, I wish to grab the revealing subconscious.with harsh emotional intensity, a strong, instinctive, irrational load and I wish to know where I can put this process to a stand.
  • Helga Borbas   Tecnica: Mixed technique on honeycomb papaerboard Anno: 2025 Dimensione: 50 x 65 cm Descrizione: My pictures are inner roads. Inner stage pictures – I paint series about the vulnerability of human existence, about life and death, about outburst and release. My paintings are, in fact, ways of existence, visceral moods, battlefields – imprints of pure emotional states.Nervous system , guts & blood – these are the driving forces of the pictures of mine.These 3 Visceral portraits are from the EXiSt series.I am interested in the search for the deeper layers of man, the contents of the subconscious, the stretching of the final boundaries, and some inner truth.When painting, I rely on my own emotive memory. I am keen on the process itself, I wish to grab the revealing subconscious.with harsh emotional intensity, a strong, instinctive, irrational load and I wish to know where I can put this process to a stand.
  • The Shell Echo

    260,00 
    Rosalinda Occhipinti Tecnica: Collage digitale Dimensione: 30cm x 70cm Anno: 2024 Descrizione: "The Shell Echo" è un collage digitale che fluttua in un'atmosfera celeste e acquatica. La composizione intreccia epoche e suggestioni diverse, accostando elementi dell'arte classica, come una Venere rinascimentale, a immagine mediche vintage e a macchie pop di colore fucsia e rosso floreale. Frammenti scultorei metallici e forme vitree cangianti orbitano nello spazio visivo, creando una forte stratificazione di simboli che evoca una eco temporale e psicologica sospesa tra sogno, memoria e modernità.
  • In the moonlight

    260,00 
    Rosalinda Occhipinti Tecnica: Collage digitale Dimensione: 30cm x 40cm Anno: 2022 Descrizione: Nell'opera "In the moonlight", su uno sfondo nero intenso fluttuano elementi eterogenei: una pianta dalle foglie rosate, conchiglie, frammenti minerali cangianti e un algido disco bianco simile ad un pianeta. L'opera sfrutta il forte contrasto tra l'oscurità e la luce radiante dei singoli oggetti, evocando un microcosmo femminile, onirico e misterioso.
  • Rosalinda Occhipinti Tecnica: Collage digitale Dimensione: 30cm x 70cm Anno: 2021 Descrizione: "Visionary landscape" è un collage digitale che indaga il mondo onirico e cosmico. Attraverso una stratificazione di livelli, elementi organici come un fiore tropicale e texture metalliche si intrecciano in un reticolo cristallino. La composizione – dominata da vibranti tonalità viola, magenta e oro – crea un paesaggio onirico e psichedelico in un delicato equilibrio tra caos e armonia. Una complessa costellazione di simboli e texture che evoca la dimensione di un sogno lucido.
  • shiftr

      Tecnica:  Digital artwork created in Microsoft Excel Dimensione: 60 x 40 cm Anno: 2025 Descrizione: Artificial Friends (AF) is a digital work created in Microsoft Excel. The piece shows two doll-like figures standing together in an open space, surrounded by loose marks, grids, and fragments of color. While making the work, I was thinking about artificial companionship and the idea of human-like dolls or AI figures made to become friends with people. At the same time, the image can also be read as two human figures who appear social, decorative, and close to one another, but remain emotionally separate. The figures are playful but slightly uneasy. Their clothing is built partly from visible grid patterns, connecting the image back to the spreadsheet itself. I was interested in the difficulty of friendship — whether between humans, or between humans and artificial beings — and the strange gap between being near someone and truly knowing them. The work uses Excel as a drawing space rather than a spreadsheet, pushing a rigid digital tool into something more personal, awkward, and expressive.
  • shiftr

      Tecnica:  Digital artwork created in Microsoft Excel Dimensione: 50 x 50cm Anno: 2025 Descrizione: Face Study_purple is a digital work created in Microsoft Excel. The piece uses a limited palette of purples and yellows to build a face that feels both playful and slightly uneasy. The image is simple at first glance, but the expression is hard to pin down. The figure seems calm, awkward, watchful, and vulnerable at the same time. I was interested in making a face that did not feel polished or idealized, but had its own strange presence. The work uses Excel as a drawing space rather than a spreadsheet. The rigid structure of the software is pushed into something more immediate and human, with rough lines, flat color, and visible imperfections left in the image.
  • shiftr

      Tecnica:  Digital artwork created in Microsoft Excel Dimensione: 60 x 40 cm Anno: 2026 Descrizione:
    Untitled 1_Lofoten Series is a digital work created in Microsoft Excel, made after traveling through the Lofoten Islands in northern Norway. It is not a literal landscape, but it carries some of the feeling of that place — sharp light, rough weather, water, rock, and sudden shifts in color. The image is built from blocks of color, drawn lines, and layered shapes. A central green form sits between landscape, animal, eye, and memory — something seen quickly, or half-recognized after the fact. The surrounding marks feel both structural and unstable, like a view being assembled and interrupted at the same time. I was interested in making something that felt partly natural, partly mechanical, and partly imagined. The work uses Excel as a drawing space rather than a spreadsheet, pushing a rigid digital tool into something more physical, imperfect, and intuitive.
  • Pop Art

    156,00 

    Yuliya Morabito

      Tecnica: patchwork improvvisato Dimensione: 61cm x 62cm Anno: 2022 Descrizione: Alcuni anni fa il gruppo di quilter italiane “Quilt Improv Studio” ha organizzato una sfida dedicata alla Pop Art. Per questo quilt ho adottato la struttura compositiva di Andy Warhol, basata su quattro elementi di uguale importanza. Per la palette cromatica mi sono ispirata al dipinto Winter Timber (2009) di David Hockney. Non è stato facile trovare tessuti capaci di restituire la stessa intensità dei suoi colori e, purtroppo, non sono riuscita a trovare una tonalità di viola identica a quella dell’opera originale. Durante la realizzazione del quilt mi sono accorta di non avere abbastanza tessuto azzurro per lo sfondo. Osservando nuovamente il dipinto di Hockney, ho notato le ombre scure sui tronchi degli alberi e ho deciso di aggiungere una fascia blu scuro, reinterpretandola come un’ombra all’interno della composizione.
Torna in cima