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Mirea Tecnica: Acrilico e olio su tela Anno: 2025 Dimensione: 40 x 40 cm Descrizione: Nessuna strada è dritta in città. Codice incrociato e graffiato. Il blu emerge tra gli incroci. Materia come mappa. -
Mirea Tecnica: Acrilico e olio su tela Anno: 2025 Dimensione: 60 x 60 cm Descrizione: Codice urbano sovrapposto. Graffiato via a strati finché emerge solo il blu e la luce. Materia che resiste al rumore. -
Vincenzo GalotaTecnica: tecnica mista su tela (spray, silicone, pigmenti metallici)Anno: 2026Dimensione senza cornice: 100 x 70 cmDescrizione: Un’astrazione materica costruita attraverso stratificazioni, segni e variazioni tonali. La superficie diventa traccia di tensione, erosione e movimento, in un equilibrio tra struttura e dissolvenza. -
Vincenzo GalotaTecnica: tecnica mista su tela (spray, silicone, pigmenti metallici e materiali industriali)Anno: 2026Dimensione senza cornice: 100 x 70 cmDescrizione: Opera su tela costruita attraverso stratificazioni, abrasioni e interventi materici. La superficie lascia emergere una struttura fragile e sospesa, dove il segno si trattiene tra presenza e dissoluzione, evocando una tensione interna e silenziosa. -
Evgeniaa RodinaTecnica: acrilico su telaAnno: 2024Dimensione senza cornice: 30x30 cmDescrizione: Plans for summer — a feeling of approaching warmth, green abundance, and anticipation of movement. This work is a part of my project “Weightless Gravity” is an attempt to capture and express an inner state. There’s a world without rules or gravity Inside each of us. We often feel love and fear at once, relief mixed with anxiety, stillness coexisting with inner turbulence. Emotions layer, blur and flow. This series of abstractions is a way to give form to the formless. In my work, I let the paint flow, I clash colors together, mix them roughly or let them move on their own — like emotional states that can’t be controlled, only lived through. “Weightless Gravity” is a space where feelings aren’t explained — they just are . Everything here is real, even if it makes no sense. Everything is abstract. It’s about living through it. -
Evgeniaa RodinaTecnica: acrilico su telaAnno: 2024Dimensione senza cornice: 30x30 cmDescrizione: Blue fantasy — spring feelings after the rain This work is a part of my project “Weightless Gravity” is an attempt to capture and express an inner state. There’s a world without rules or gravity Inside each of us. We often feel love and fear at once, relief mixed with anxiety, stillness coexisting with inner turbulence. Emotions layer, blur and flow. This series of abstractions is a way to give form to the formless. In my work, I let the paint flow, I clash colors together, mix them roughly or let them move on their own — like emotional states that can’t be controlled, only lived through. “Weightless Gravity” is a space where feelings aren’t explained — they just are . Everything here is real, even if it makes no sense. Everything is abstract. It’s about living through it. -
Evgeniaa RodinaTecnica: acrilico su telaAnno: 2024Dimensione senza cornice: 50×70 cmDescrizione:Summer dance — a summer evening: a lot of freedom, joy, and movement. This work is a part of my project “Weightless Gravity” is an attempt to capture and express an inner state. There’s a world without rules or gravity Inside each of us. We often feel love and fear at once, relief mixed with anxiety, stillness coexisting with inner turbulence. Emotions layer, blur and flow. This series of abstractions is a way to give form to the formless. In my work, I let the paint flow, I clash colors together, mix them roughly or let them move on their own — like emotional states that can’t be controlled, only lived through. “Weightless Gravity” is a space where feelings aren’t explained — they just are . Everything here is real, even if it makes no sense. Everything is abstract. It’s about living through it. -
Eli MARS Sculptor© Tecnica: Artwork on acrylic glass (plexiglass), UV fine art print Anno: 2025 Dimensione: H. 49.5 × W. 80.0 × D. 1.3 cm Descrizione: BUTTERFLY IN THE CITY (green) explores the city as a symbolic and living territory where geometry gradually reveals an inner landscape. At the heart of the composition, the recessed outline of butterfly wings emerges from a rigorous geometric structure, creating a space of transformation, balance and renewal. Rather than depicting an urban landscape, the work suggests that every contemporary city also contains an invisible world shaped by memory, identity and imagination. The vibrant dialogue between lemon green, magenta and luminous yellow reinforces this dynamic, expressing both the energy of metropolitan life and the possibility of harmony within complexity. The butterfly becomes a silent presence, opening a poetic space of breathing and freedom amid the density of the urban environment. The composition originates from the intermediate geometric form developed for EXTRAPOLATED WORLD (the transitional figure between the inscribed square and the circle). This form was extrapolated into a Golden Rectangle, then divided into four quadrants that underwent successive geometric transformations: axial tension applied to the two principal edges and, on two diagonally opposed sections, a double mirror process. From this constructive process, the butterfly gradually emerges as the natural outcome of the geometry itself. Originally conceived as the second panel of a diptych created for the Museum of Art and Science in Milan (November 2024), the work received a Certificate of Artistic Merit. Although born within that project, BUTTERFLY IN THE CITY (green) stands today as a fully autonomous artwork. -
Eli MARS Sculptor© Tecnica: Artwork on acrylic glass (plexiglass), UV fine art print Anno: 2024 Dimensione: H. 80.0cm × W. 62.0cm × D. 1.3cm Descrizione: NO WAY? II explores the city as a space of circulation, decision and uncertainty. The work evokes the visual language of urban environments (signage, directions and architectural structures), while transforming them into a symbolic landscape where movement becomes an existential question. Through the transparency of acrylic glass and the interaction of light with the image, the artwork creates shifting perceptions that invite viewers to reconsider their relationship with the built environment. The apparent clarity of urban codes gives way to ambiguity, suggesting that every city is also a mental territory shaped by memory, identity and personal experience. Rather than representing a specific place, NO WAY? II reflects on the contemporary city as a constantly evolving space where orientation and disorientation coexist. It invites the viewer to question the paths we choose, the limits imposed by urban structures, and the freedom to imagine new directions. -
Sauar & Alberto Ballocca Tecnica: Fotografia e Pittura Anno: 2026 Dimensione: 100 x 70 cm Descrizione: La fotografia ambientale / monumentale e semi-statica di Sauar incontra la tecnica mista e la ricerca in studio del pittore Alberto Ballocca. Ogni opera è realizzata a partire da una stampa digitale HDR su pannello forex di Sauar e rilavorata con pigmenti naturali e pastelli ad olio da Alberto Ballocca. -
Sauar & Alberto Ballocca Tecnica: Fotografia e Pittura Anno: 2026 Dimensione: 33 x 24 cm Descrizione: La fotografia ambientale / monumentale e semi-statica di Sauar incontra la tecnica mista e la ricerca in studio del pittore Alberto Ballocca. Ogni opera è realizzata a partire da una stampa digitale HDR su pannello forex di Sauar e rilavorata con pigmenti naturali e pastelli ad olio da Alberto Ballocca. -
Yang Liu Tecnica: Digital Installation Art Anno: 2026 Dimensione: 35cm X 35 cm X 35cm Descrizione: Remaining is a countdown timer embedded within an infinity mirror structure. The timer cycles through a three-minute countdown. In the final ten seconds, an accelerated beeping intensifies expectation, suggesting an imminent event. At zero, nothing occurs. The system immediately resets and begins again. Reflected infinitely, the numerical display multiplies into a boundless field of synchronized countdowns. Time expands into a recursive space where anticipation is continuously generated but never resolved. Video : https://youtu.be/xCHOMeA3aGE -
Nina Fiorucci Tecnica: Manipolazione digitale Anno: 2025 Dimensione: 65cm x 50cm Descrizione: The memories of a distant youth are burning, the memories of my daughter’s voice are burning. I can see, yet I am blind, and I slowly fade away along with the world around me. In this series of photographs, the process of alteration and fragmentation of memory in Alzheimer’s disease is depicted. The gradual death of nerve cells, especially in the hippocampus, disrupts synaptic transmission, causing the loss of recent memories, the relative preservation of older ones, and cognitive disorientation. The artist’s face appears barely visible, then gradually emerges, as if burned. -
Nina Fiorucci Tecnica: Fotografia e manipolazione digitale Anno: 2026 Dimensione: 65cm x 40cm Descrizione: The city that I dreamt of smells like calm and poise. There are no colors, not that they are needed. Perception does not work as it normally does; every dimension, every sense is conjoined and intersecting with each other, yet perfectly divided. The city that I dreamt of belongs to the wind and to the light. Humans cannot understand it, cannot conquer it, cannot perceive it. Be aware of the city in my dreams, for when time and space collide, that's where we'll rest. -
Nina Fiorucci Tecnica: Fotografia e manipolazione digitale Anno: 2026 Dimensione: 70cmx50cm Descrizione: The first time we met, you took me to see the river rats on the banks of the Lungotevere. I arrived late, and they were already gone. As time went by, you slowly became one of them, disappearing into the water and leaving only traces in the dirt. The moment you left, the only thing that could remind me of you were those river rats, which slowly reappeared as the sun began to rise. They now sleep by the water, I don't know what they where scared of. -
Tecnica: Phygital. Digital painting, water-based pigments printing on dibond, acrylic painting, 24-carat gold leaf Anno: ND Dimensione: 40×70 cm -
Tecnica: mista, fotografia, acrilico, collage Anno: 2026 Dimensione: 30×40cm -
Maryam Shahab Samani Tecnica: Paper collage, newspaper, mixed media Anno: 2025 Dimensione senza cornice: 30 × 30 cm Descrizione: Botanical fragments — leaves, petals, organic curves — assembled from memory rather than observation. A garden that never existed, remembered in blue and green. -
Maryam Shahab Samani Tecnica: Paper collage, newspaper, mixed media Anno: 2026 Dimensione senza cornice: 17.5 × 26 cm Descrizione: Delicate botanical forms float above torn stone-textured paper. Light meets weight — the fragile and the enduring in quiet conversation.
